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* See the article “Using Photoshop’s Bridge,” in Chapter 8, for information about how to import images into Photoshop.
* See the article “Opening and saving photos,” at the beginning of Chapter 8.
# CHAPTER 13
Special Effects in Photoshop
The Special Effects tools let you retouch or enhance an image to make it more interesting or look better onscreen. The effects are used with the Brush tool and are selections that you can apply with the Eraser tool or paint over or fill with colors.
When you use the camera’s Picture Mode, various effects are automatically applied. Photoshop has some additional effects you can apply, such as blurring and emphasizing a subject, whether the camera has that effect or not.
You can also use Photoshop’s Magic Wand tool, which is perfect for highlighting and adjusting your image’s borders. The Channels palette is an excellent tool for adjusting color in your image. In this chapter, you’ll find tools and workflows for enhancing your images, making them more interesting, and enhancing them to make them appear much sharper.
* * *
**New terms and techniques**
If you come across any new terms or techniques in this chapter, take the time to learn them now, because it will help you get the most out of your images in the future.
If you’re not familiar with any of these terms, check out the appendix for definitions and an example of each term.
* * *
# **Enhancing Your Photos**
Everyone thinks the camera’s pictures are great, but when you hold a print from a 4×6-inch image taken with a digital camera, you can clearly see that the photo lacks detail.
As you improve your Photoshop skills, you can enhance your photos to make your images look more detailed, appear sharper, and give your subjects some extra appeal.
You can apply one or more of the following filters to a photo in Photoshop.
The tools Photoshop offers for photo enhancement are generally used to alter the tone in an image or to enhance color, although several filters are available to help you perfect or fix up the image.
Here are the workflows for retouching the subject, the background, and the tone of an image.
## **Enhancing the Subject**
The filters and workflows in this section are similar, but there are subtle differences in the tools you use to apply them.
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While this guide will give you advice for learning Photoshop and Elements, it will mostly be focused on the Elements interface. The free version will work fine, but some professional features of Photoshop will not be available.
The most experienced Photoshop and Elements users may disagree with this guide. In that case, use your own judgment and use the tools you have most comfortable with, but keep in mind the differences.
Before you open up a Photoshop file, you need to know a few things. What file format you’re using and what device this file was created for is the first thing you need to know.
Compatibility, Device, Format
This is very important. If you are converting an image from a digital camera or scanner into a Photoshop image, you need to make sure that you use the appropriate device and format.
If you do not use the correct device and format, your file will not be accepted by Photoshop Elements (or Photoshop).
Cameras are not compatible with graphic image editing software. So, if you want to open an image from a camera, you need a USB cable, a computer with a USB port and an application called “Photos”.
It’s a little hard to use a scanner to scan directly into a Photoshop file, so the most common way to make a Photoshop file is to scan the image into a PDF file. There is a free (and very easy to use) application called “Xournal” for Windows, Mac and Linux that will help you convert a PDF file into a layered Photoshop file.
Once you have your PDF file, you can either use Photoshop Elements to edit it (and save it to a new file as a PDF), or you can open it up directly into Photoshop.
If you are using Elements for your edits, remember that you can save it as a PDF. The process is very similar.
The above steps are not detailed here, but more in-depth tutorials on the best use of a scanner or the best way to edit a file can be found on many other websites.
That said, let’s start with the basics.
Getting Started with Photoshop Elements
The first thing you need to know is that Elements does not have an expert-level user interface. It is meant for the beginner or for use by people who want a lot of basic features. So be prepared to learn and to make a lot of mistakes and to understand your errors
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In the face of censure, Winterbeau and the IRB’s high-profile commissioners took the unprecedented step of staging a press conference last night to announce they have been fired.
“We are leaving by mutual agreement. We can’t get passed this. There is no other way around it. We are not going to stay here if we get sacked. We haven’t got a job here.
“I’ve been called a traitor. Look, I’m not a traitor. It’s been a long time since I’ve worn a green jersey. And it’s going to be something else in future for me to wear green.
“I am not a traitor. I’ve done the best job for the most part of 20 years. I was a Peeblemunster when these guys were rugby league stars. That was my job. That’s what I did.
“There’s not a lot in politics that I can do anyway. I did my job. I was doing my job. I’m not going to do another job.
“I just wish the lads all the best for the future. It was time to leave. Hopefully this is the end of it.”
Winterbeau’s decision to resign comes after the IRB slapped him down with a warning following a TV interview where he accused the organisation of failing to plan for and mount a proper investigation into a dog-fighting ring in Australia.
Although Winterbeau is now out of the IRB, two of his lieutenants remain in the organisation. However, another high-profile commissioner, Australian Peter Burge, is quitting immediately.
In a statement issued shortly after the IRB issued its warning, Winterbeau said he had decided it was time for him to leave.
He said: “I have enjoyed my time with the IRB for the last five years and have been a great supporter of the game in Australia and New Zealand.
“After discussions with the IRB’s commissioners, I have decided that it is time to move on.
“I felt that the IRB has my back, so I would like to thank the board for that.
“I’m not one to dwell on the past, but it has been a very difficult time for me and my family. It has been a tough few weeks and it will take some time for my family and I to get over it.
“I would like to take this opportunity to thank everyone
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In the back and forth between ESPN’s Alex Rodriguez and NFL commissioner Roger Goodell and the league’s inability to find enough evidence to show that Rodriguez violated the drug policy, Rodgers-Cromartie did something interesting: He came out swinging. In an NFL.com article, the cornerback argued that the union is his second choice after his family, and that his first choice would be his team – the Buffalo Bills. Here is the key point from the article:
Rodgers-Cromartie was asked whether, if the NFL fined him, he would be willing to forfeit any of the money. “Would I do that?” he said. “Hell no.” He went on to state that NFL security officers are indeed intimidating. “Honestly,” he said. “To me, we’re not intimidated. Our freedom of expression isn’t being violated. We’re being threatened. We’re being intimated with respect to how we play. If we were intimidated, they’d know about it. They know. They’re aware of it.”
Rodgers-Cromartie is asserting that they are being intimidated, and he is right. Anyone who has ever been in a locker room has been in a situation where a player has been threatened in a way that is distinct from playing hard. Rodgers-Cromartie suggests that the NFL knows about the intimidation but does nothing about it because of a lack of evidence.
It is a powerful argument and I believe that it is being used to good effect by the union in its negotiations with Goodell and the league.
There are three ways that a player can invoke the intimidation defense: the first is claiming that the intimidation is by a member of the team, the second is that it comes from law enforcement and the third is that it is from MLB security. Once the defense is invoked, the burden shifts to the league and the commissioner.
The union has been calling foul on the Bills’ signing of A-Rod claiming that it is a violation of the collective bargaining agreement and the intent of the agreement is to protect the players from owners and the players from each other.
According to a recent article by the New York Times, the league is having a very difficult time finding any evidence that would substantiate the claim of intimidation. The article reports that the league has been unable to show just how or why a security officer
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